№ 62

小過 Preponderance of the Small

Xiǎo Guò · Hsiao Kuo

Upper trigram
The Arousing · thunder
Lower trigram
Keeping Still · mountain
Nuclear trigrams
The Joyous / The Gentle

The Hexagram

Hsiao Kuo / Preponderance of the Small

above CHÊN THE AROUSING, THUNDER

below KÊN KEEPING STILL, MOUNTAIN

While in the hexagram Ta Kuo, PREPONDERANCE OF THE GREAT (28), the
strong lines preponderate and are within, inclosed between weak lines at the
top and bottom, the present hexagram has weak lines preponderating, though
here again they are on the outside, the strong lines being within. This indeed
is the basis of the exceptional situation indicated by the hexagram. When
strong lines are outside, we have the hexagram I, PROVIDING
NOURISHMENT (27), or Chung Fu, INNER TRUTH, (61); neither represents an exceptional state. When strong elements within preponderate, they
necessarily enforce their will. This creates struggle and exceptional conditions
in general. But in the present hexagram it is the weak element that perforce
must mediate with the outside world. If a man occupies a position of
authority for which he is by nature really inadequate, extraordinary prudence
is necessary.

Judgment

PREPONDERANCE OF THE SMALL. Success.

Perseverance furthers.

Small things may be done; great things should not be done.

The flying bird brings the message:

It is not well to strive upward,

It is well to remain below.

Great good fortune.

Exceptional modesty and conscientiousness are sure to be rewarded with
success; however, if a man is not to throw himself away, it is important that
they should not become empty form and subservience but be combined
always with a correct dignity in personal behavior. We must understand the
demands of the time in order to find the necessary offset for its deficiencies
and damages. In any event we must not count on great success, since the
requisite strength is lacking. In this lies the importance of the message that
one should not strive after lofty things but hold to lowly things.

The structure of the hexagram gives rise to the idea that this message is
brought by a bird. In Ta Kuo, PREPONDERANCE OF THE GREAT (28), the
four strong, heavy lines within, supported only by two weak lines without,
give the image of a sagging ridgepole. Here the supporting weak lines are
both outside and preponderant; this gives the image of a soaring bird. But a
bird should not try to surpass itself and fly into the sun; it should descend to
the earth, where its nest is. In this way it gives the message conveyed by the
hexagram.

Image

Thunder on the mountain:

The image of PREPONDERANCE OF THE SMALL.

Thus in his conduct the superior man gives preponderance to reverence.

In bereavement he gives preponderance to grief.

In his expenditures he gives preponderance to thrift.

Thunder on the mountain is different from thunder on the plain. In the
mountains, thunder seems much nearer; outside the mountains, it is less
audible than the thunder of an ordinary storm. Thus the superior man
derives an imperative from this image: he must always fix his eyes more
closely and more directly on duty than does the ordinary man, even though
this might make his behavior seem petty to the outside world. He is
exceptionally conscientious in his actions. In bereavement emotion means
more to him than ceremoniousness. In all his personal expenditures he is
extremely simple and unpretentious. In comparison with the man of the
masses, all this makes him stand out as exceptional. But the essential
significance of his attitude lies in the fact that in external matters he is on the
side of the lowly.

Changing lines

  • Line 1

    Six at the beginning means:

    The bird meets with misfortune through flying.

    A bird ought to remain in the nest until it is fledged. If it tries to fly before
    this, it invites misfortune. Extraordinary measures should be resorted to only
    when all else fails. At first we ought to put up with traditional ways as long
    as possible; otherwise we exhaust ourselves and our energy and still achieve
    nothing.

  • Line 2

    Six in the second place means:

    She passes by her ancestor

    And meets her ancestress.

    He does not reach his prince

    And meets the official.

    No blame.

    Two exceptional situations are instanced here. In the temple of ancestors,
    where alternation of generations prevails, the grandson stands on the same
    side as the grandfather. Hence his closest relations are with the grandfather.
    The present line designates the grandson's wife, who during the sacrifice
    passes by the ancestor and goes toward the ancestress. This unusual behavior
    is, however, an expression of her modesty. She ventures rather to approach
    the ancestress, for she feels related to her by their common sex. Hence here
    deviation from the rule is not a mistake.

    Another image is that of the official who, in compliance with regulation,
    first seeks an audience with his prince. If he is not successful in this, he does
    not try to force anything but goes about conscientious fulfillment of his duty,
    taking his place among the other officials. This extraordinary restraint is
    likewise not a mistake in exceptional times. (The rule is that every official
    should first have an audience with the prince by whom he is appointed. Here
    the appointment is made by the minister. )

  • Line 3

    Nine in the third place means:

    If one is not extremely careful,

    Somebody may come up from behind and strike him.

    Misfortune.

    At certain times extraordinary caution is absolutely necessary. But it is just in
    such life situations that we find upright and strong personalities who,
    conscious of being in the right, disdain to hold themselves on guard, because
    they consider it petty. Instead, they go their way proud and unconcerned. But
    this self-confidence deludes them. There are dangers lurking for which they
    are unprepared. Yet such danger is not unavoidable; one can escape it if he
    understands that the time demands that he pay especial attention to small
    and insignificant things.

  • Line 4

    Nine in the fourth place means:

    No blame. He meets him without passing by.

    Going brings danger. One must be on guard.

    Do not act. Be constantly persevering.

    Hardness of character is tempered by yielding position so that no mistakes are
    made. The situation here calls for extreme caution; one must make no
    attempt of one's own initiative to reach the desired end. And if one were to
    go on, endeavoring to force his way to the goal, he would be endangered. Therefore one must be on guard and not act but continue inwardly
    to persevere.

  • Line 5

    Six in the fifth place means:

    Dense clouds,

    No rain from our western territory.

    The prince shoots and hits him who is in the cave.

    As a high place is pictured here, the image of a flying bird has become that of
    flying clouds. But dense as the clouds are, they race across the sky and give
    no rain. Similarly, in exceptional times there may be a born ruler who is
    qualified to set the world in order, but who cannot achieve anything or confer
    blessing on the people because he stands alone and has no helpers. Is such
    times a man must seek out helpers with whose aid he can carry out the task.
    But these helpers must be modestly sought out in the retirement to which
    they have withdrawn. It is not their fame nor their great names but their
    genuine achievements that are important. Through such modesty the right
    man is found, and the exceptional task is carried out in spite of all difficulties.

  • Line 6

    Six at the top means:

    He passes him by, not meeting him.

    The flying bird leaves him.

    Misfortune.

    This means bad luck and injury.

    If one overshoots the goal, one cannot hit it. If a bird will not come to its nest
    but flies higher and higher, it eventually falls into the hunter's net. He who
    in times of extraordinary salience of small things does not know how to call a
    halt, but restlessly seeks to press on and on, draws upon himself misfortune
    at the hands of gods and men, because he deviates from the order of nature.