№ 54

歸妹 The Marrying Maiden

Guī Mèi · Kuei Mei

Upper trigram
The Arousing · thunder
Lower trigram
The Joyous · lake
Nuclear trigrams
The Abysmal / The Clinging

The Hexagram

Kuei Mei / The Marrying Maiden

Above CHÊN THE AROUSING, THUNDER

Below TUI THE JOYOUS, LAKE

Above we have Chên, the eldest son, and below, Tui, the youngest daughter.
The man leads and the girl follows him in gladness. The picture is that of the
entrance of the girl into her husband's house. In all, there are four
hexagrams depicting the relationship between husband and wife. Hsien,
INFLUENCE, (31), describes the attraction that a young couple have for each
other; Hêng, DURATION (32), portrays the permanent relationships of
marriage; Chien, DEVELOPMENT (53), reflects the protracted, ceremonious
procedures attending the arrangement of a proper marriage; finally, Kuei Mei, THE MARRYING MAIDEN, shows a young girl under
the guidance of an older man who marries her.

Judgment

THE MARRYING MAIDEN.

Undertakings bring misfortune.

Nothing that would further.

A girl who is taken into the family, but not as the chief wife, must behave
with special caution and reserve. She must not take it upon herself to
supplant the mistress of the house, for that would mean disorder and lead to
untenable relationships.

The same is true of all voluntary relationships between human beings.
While legally regulated relationships evince a fixed connection between duties and rights, relationships based on personal inclination depend in
the long run entirely on tactful reserve.

Affection as the essential principle of relatedness is of the greatest
importance in all relationships in the world. For the union of heaven and
earth is the origin of the whole of nature. Among human beings likewise,
spontaneous affection is the all-inclusive principle of union.

Image

Thunder over the lake:

The image of THE MARRYING MAIDEN.

Thus the superior man

Understands the transitory

In the light of the eternity of the end.

Thunder stirs the water of the lake, which follows it in shimmering waves.
This symboli

Changing lines

  • Line 1

    Nine at the beginning means:

    The marrying maiden as a concubine.

    A lame man who is able to tread.

    Undertakings bring good fortune.

    The princes of ancient China maintained a fixed order of rank among the
    court ladies, who were subordinated to the queen as are younger sisters to the
    eldest. Frequently they came from the family of the queen, who herself led
    them to her husband.

    The meaning is that a girl entering a family with the consent of the wife
    will not rank outwardly as the equal of the latter but will withdraw modestly
    into the background. However, if she understands how to fit herself into the
    pattern of things, her position will be entirely satisfactory, and she will feel
    sheltered in the love of the husband to whom she bears children.

    The same meaning is brought out in the relationships between officials. A
    man may enjoy the personal friendship of a prince and be taken into his
    confidence. Outwardly this man must keep tactfully in the background
    behind the official ministers of state, but, although he is hampered by this
    status, as if he were lame, he can nevertheless accomplish something through
    the kindliness of his nature.

  • Line 2

    Nine in the second place means:

    A one-eyed man who is able to see.

    The perseverance of a solitary man furthers.

    Here the situation is that of a girl married to a man who has disappointed
    her. Man and wife ought to work together like a pair of eyes. Here the girl is
    left behind in loneliness; the man of her choice either has become unfaithful
    or has died. But she does not lost the inner light of loyalty. Thought the
    other eye is gone, she maintains her loyalty even in loneliness.

  • Line 3

    Six in the third place means:

    The marrying maiden as a slave.

    She marries as a concubine.

    A girl who is in a lowly position and finds no husband may, in some
    circumstances, still win shelter as a concubine.

    This pictures the situation of a person who longs too much for joys that
    cannot be obtained in the usual way. He enters upon a situation not
    altogether compatible with self-esteem. Neither judgment nor warning is
    added to this line; it merely lays bare the actual situation, so that everyone
    may draw a lesson from it.

  • Line 4

    Nine in the fourth place means:

    The marrying maiden draws out the allotted time.

    A late marriage comes in due course.

    The girl is virtuous. She does not wish to throw herself away, and allows the
    customary time for marriage to slip by. However, there is no harm in this;
    she is rewarded for her purity and, even though belatedly, finds the husband
    intended for her.

  • Line 5

    Six in the fifth place means:

    The sovereign I gave his daughter in marriage.

    The embroidered garments of the princess

    Were not as gorgeous

    As those of the serving maid.

    The moon that is nearly full

    Brings good fortune.

    The sovereign I is T'ang the Completer. This ruler decreed that the imperial
    princesses should be subordinated to their husbands in the same manner as
    other women (cf. Hexagram 11, six in the fifth place). The emperor does not
    wait for a suitor to woo his daughter but gives her in marriage when he sees
    fit. Therefore it is in accord with custom for the girl's family to take the
    initiative here.

    We see here a girl of aristocratic birth who marries a man of modest
    circumstances and understands how to adapt herself with grace to the new
    situation. She is free of all vanity of outer adornment, and forgetting her rank
    in her marriage, takes a place below that of her husband, just as the moon,
    before it is quite full, does not directly face the sun.

  • Line 6

    Six at the top means:

    The woman holds the basket, but there are no fruits in it.

    The man stabs the sheep, but no blood flows.

    Nothing that acts to further.

    At the sacrifice to the ancestors, the woman had to present harvest offerings
    in a basket, while the man slaughtered the sacrificial animal with his own
    hand. Here the ritual is only superficially fulfilled; the woman takes an
    empty basket and the man stabs a sheep slaughtered beforehand–solely to
    preserve the forms. This impious, irreverent attitude bodes no good for a
    marriage.